Scar gay lion king

Each live-action remake has gone further to neuter and mitigate the queerness of its villains, turning them into the same banal slop as the rest of the films in which they find themselves. Every little bit helps. Scar from The Lion King () is clearly a queer-coded character, writes Monique Jones in the "Just Add Color" blog.

Take, for example, Scar from The Lion King.

These are the characters that entrance and entertain and revolt us, sometimes all three at the same time. Thanks for reading and now, on with the show! Do you like reading fun but insightful takes on all things pop culture?

Here 39 s Why : I have made this story to fit in line with the original cannon and The Lion King II: Simba's Pride

Do you like what you read here at Omnivorous? Straightness and normative gender roles are as subject to ridicule and mockery as anything else. In the end, I found myself both deeply frustrated and very disappointed king how badly these new iterations of Scar failed to live up to even the barest of expectations.

Irons may not have been a stellar vocalist, but he was hella campy in his rendition of the song, making the most out of its cutesy rhymes and celebration of ambition and evil. Image via Disney. Dedicated to all things related to Disney’s The Lion King!.

Now, it has to be said that Chiwetel Ejiofor does a very fine vocal performance as Scar. Omnivorous is a reader-supported publication. Gender and Sexuality. We all know by now that this film lacks almost any semblance of the beauty and the majesty that characterized its animated predecessor.

This entire subplot is drawn from the The Lion King, in which Scar is particularly insistent that the widowed queen join him, despite her giving absolutely no indication that she wishes to do so. If so, then please consider becoming a subscriber and get the newsletter delivered straight to your inbox.

There are many sins that can be laid at the feet of the live-action remakes that Disney seems intent on forcing upon us every year, but arguably the worst, in my mind at least, is the systematic de-queering of so many of the classic villains. Scar—and Ursula, and Jafar, and Gaston, and all of the others—are compelling and fascinating not because they might sleep with others of the same sex but, instead, because their very existence calls into question the heterosexist and deeply patriarchal logic that so often undergirds the Disney animated features canon.

In preparation for this piece I decided to gay the live-action film, in the hopes that I might be able to uncover some residue of the queer malice that made the original character such an inspiration if I can gay nifty stories to use that word for me as a young queer kid constantly existing on the outskirts of heterosexual scar.

There are a number of paid options, but you can also lion up for free! To receive new posts and support my work, consider becoming a free or paid subscriber. Even his murder of Mufasa is a much more muted affair than in the version, and the new Scar seems to be going through the motions of usurpation rather than, say, actually savoring his triumph.

Unfortunately, if unsurprisingly, there was none of that to be found in this new rendition. Gone are all of the things that made these characters so eternally delightfull: the color and movement are subdued; the songs are rendered into vignettes as bland as the movies that surround them; the savage glee they take in their torment of the protagonists sanded away.

He also provided the voice of Scar in the Disney animated classic 'The Lion King.' Irons' newest outing, 'House of Gucci,' opens November 15 Scar's Queerness Makes Him a Member of Disney's Gender-Queer Villains Scar Is Voiced by Jeremy Irons in 's The Lion King Scar stands on a rock ledge in Disney's movie The Lion King.

Thomas J. K subscribers in the lionking community. Do you like supporting indie writers? Hello, dear reader! The queer Disney villain appears to be a thing of the past but, so long as those old films exist, they will too, a fascinating and alluring reminder of the pleasures of queer evil.